MODERN ART FLOWERS. MAKE MEXICAN TISSUE PAPER FLOWERS.
Modern Art Flowers
- Modern Art is a bidding game designed by Reiner Knizia and first published in 1992 by Hans im Gluck in German. Players represent art dealers, both buying and selling works of art by five different fictional artists.
- Sawing a woman in half is a name for a number of different stage magic tricks in which a person (traditionally a female assistant) is apparently sawn or divided into two or more pieces.
- Modern art refers to artistic works produced during the period extending roughly from the 1860s to the 1970s, and denotes the style and philosophy of the art produced during that era.
- (flower) a plant cultivated for its blooms or blossoms
- (flower) bloom: produce or yield flowers; "The cherry tree bloomed"
- (of a plant) Produce flowers; bloom
- Be in or reach an optimum stage of development; develop fully and richly
- Induce (a plant) to produce flowers
- (flower) reproductive organ of angiosperm plants especially one having showy or colorful parts
Leger, Fernand (1881-1955) - 1923 Woman With a Book (Museum of Modern Art, New York City)
Oil on canvas; 116 x 81.4 cm.
Fernand Leger was born at Argentan, France. He began his career as a an artist by serving an apprenticeship in architecture in Caen and working as a architectural draughtsman. In 1900 Leger went to Paris and was admitted to the Ecole des Arts Decoratifs in 1903 and also attended the Academie Julian. The first profound influence on Leger's work came from Cezanne, whose pictures Leger encountered at the large-scale Cezanne exhibition at the 1907 Salon d'Automne.
Leger became friends with Delaunay and maintained ties with great artists, including Matisse, Rousseau, Apollinaire and leading exponents of Cubism. From 1909 Leger himself developed a quirky Cubist style, distinguished by reduction to the simplest basic forms and formal austerity linked with a pure, sharply contrasting palette by 1913-14. As a painter Fernand Leger exerted an enormous influence on the development of Cubism, Constructivism and the modern advertising poster as well as various forms of applied art.
From 1911 until 1912 Leger belonged to the Section d'Or group. During the first world war Leger came into contact with modern technology, notably cannon. The superhuman powers and precise beauty of ordnance enthralled him. By 1920, influenced by the persuasive assurance radiated by Purism and the form of retro Neo-Classicism practiced by Picasso and others, Leger had achieved a mechanistic classicism, a precise, geometrically and harshly definitive monumental rendering of modern objects such as cog-wheels and screws, with the human figure incorporated as an equally machine-like being. Surrealismus also left its mark on Fernand Leger in the 1930s, loosening up his style and making it more curvilinear. Leger taught at Yale University and at Mills College in California from 1940 until 1945. By now his dominant motifs were drawn from the workplace and were post-Cubist in form, combined with the representational clarity of Realism.
Corpus-christi-2009-08 modern art street art with Spanish girls and boys
Spanish teenagers walking past or contemplating street art of a religious art flower carpet in La Orotava Canary Islands
on the day of the Corpus Christi 2009 celebrations event Tenerife
See also:
spring mix bouquet
flower tatto design
always in bloom florist
flower bouquet painting
artificial floral wreaths
agrimony bach flower
diy bridal flowers
bridal floral bouquet
silk flower hanging basket
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